Starring - Chris Evans, Sarah Michelle Gellar, Mako, Kevin Smith, Patrick Stewart, Ziyi Zhang, Laurence Fishburne
In an attempt to make my blog more
relevant I’m here to analyze the Ninja Turtles movie – not the new Ninja
Turtles movie that was in theatres this summer, mind you. That would be too
relevant. And not the original Turtles film that would offer relevance in the
form of kitsch value – my age and upbringing would infuse that piece with too
many biases. Rather, I’m here to scrutinize the 2007 film that was released
during one of their less spikey peaks in popularity in the middle of their 2nd
animated season. For some reason. Actually, there is a reason and it reaches
somewhat beyond my desire to branch out and add variety to the genres of film
that I analyze – and that is that TMNT
didn’t get near the respect it deserved. Be it kid entertainment or nerd
nostalgia, I found TMNT to be quite
successful with most elements in its effort to once again exemplify the nuances
of mutated reptiles. Those nuances, of course, being that ninjas will never
forsake the use of their favourite weapon. Or that teenagers love pizza. Or
that if four turtles grow up together, then become mutants, then learn how to
talk, a percentage of those turtles will develop accents. Wait… those can’t be
right… There’s a nuance here somewhere… My inner child just spoke up and gave
me the answer – “Giant turtles punch and kick stuff.” And there you have it;
the secret to their popularity.
Falling directly into the canon line
started by its live action predecessor 17 years prior, TMNT has the boys reunite with Leonardo in order to fight monsters,
stone soldiers, foot ninjas, and kitchen sinks. See, an altruistically
diabolical tycoon has returned sentience to said ancient soldiers in an effort
to cease both their and his own “eternal life”. Classic villain with a heart of
gold scenario… I miss the Shredder. In a throwaway line regarding his whereabouts,
it is stated that Shredder is “dead” – a good way for kids to learn a harsh
life lesson, and it saves the family on goldfish.
The pacing of this film is exceptional,
and was one of the first things that made me figuratively stand and take
positive notice. TMNT heartily
follows the “7 minute rule” and applies it to children, making it more along
the lines of a “3 minute rule”. The “7 minute rule” plays to the male attention
span, exercising the notion that your average man can only pay attention for 7
minutes at a time. Thus, a film has to toss out violence, comedy, or sauciness
every 7 minutes in order for a male to be fully engaged for an entire movie. Now,
we know that children and men have comparable attention spans, and in a
quote-unquote “kids” movie, that 7 minutes has to be greatly reduced. And that
is something TMNT does with great
success. Scenes filled with dialogue or narrative exposition last only a couple
of minutes before cutting to a different individual or group. When there is no
fight scene imminent, the writers simply rely on showing a turtle
unconventionally utilizing a means of transportation to keep the pace brisk. Be
it a skateboard, a motor bike, an airplane(‘s landing gear), or a hang glider,
these forms of travel offer the viewer a taste of action that looks cool but
doesn’t fall back on fighting.
Speaking of fighting, the brawls are
played out to fruition – the choreography is excellent and each fight is
comprised of long takes, resulting in the viewer’s ability to actually see what
is going on. There’s also a lot of style infused into these battles, making
them more enjoyable than your average mutant ninja fight. Between the POV that
follows Raph’s unfurled chain, Raph’s free-fall down the side of a building,
and Raph’s POV as the tiny monster beats on his helmet, there is certainly no
lack of entertaining details when the fists do fly. Though, a list like that does
make it seem like Raphael was at the center of all the good stuff. And, as if
all that bad guy besting wasn’t enough, there’s even a skirmish between Raph
and Leo – I love it when the good guys fight each other… Fucking goody
two-shoes… But why couldn’t the writers have figured out a way to include Don
and Mike, giving us a four-way fisticuff that wouldn’t have soon been
forgotten.
If the fighting truly is the film’s hero
in a half shell, then it also leads to one of the film’s biggest
disappointments; namely, the final battle. It’s the one fight that doesn’t pull
back for some medium to long shots and rushes Casey and April’s task in coaxing
the 13th monster to follow them. Not only is it somewhat
anti-climactic, it literally feels like there are scenic elements missing that
may have been left behind for time. With the Turtles engaged in un-stylized
assault on the stone soldiers, in comes the van leading the monster to its
extra-dimensional demise. Wipe hands thusly and cue pertinent rock music.
There isn’t much more that can be
negatively said about TMNT. In fact,
I find CG films in general difficult to review because the majority of things
said about them is plot-based. For example, when’s the last time an animated
feature had bad animation? It’s been a very long time. Even Doogal looked good. Or voice-acting –
sure, not every voice-over can be accompanied by the accolades that go to a
Mark Hamill, but when voice is all you have to judge, it takes away the myriad
of other elements one can explore and, subsequently, belittle. No facial
expression, no subtle movements, voice-acting usually ranges from “awesome” to
“competent”, but never any lower, and this also rings true for TMNT. The above cast list, taken
directly from the fine print on the back of the DVD case, all do a capable job,
neither wowing nor disappointing the discerning viewer. On an interesting side
note, none of the above listed stars actually voice the core four. Kind of a
slap in the face to four dudes who had to master the art of the “cowabunga”
utterance. Of course Chris Evans got top billing – it is a comic book movie,
after all. Kevin Smith even managed to wrangle his guest spot (and I do mean “spot”)
into 4th billing; to be back-trackingly fair, he probably had
nothing to do with it.
All in all, TMNT doesn’t feel like a desperate attempt to rejuvenate a long
dormant franchise in order to squeeze out a few more nickels. Rather, it feels
like one more step along the path of a property that already has a built-in
audience, and a concept that still has the ability to bring in new fans.
Imagine you heard the term “Teenage Mutant Ninja Turtles” for the first time –
can you say with a straight face that your curiosity would not be peaked?
Granted, it has been modernized – I don’t recall the Turtles saying “radical”
even once, and, deep down, that hurts. That said, TMNT moves so fast the pain doesn’t have time to settle in.
Granted, going the CG route worked wonders when it comes to the fight scenes –
those bulky costumes from 1990 obviously hindered the ninja skills of the live
action doppelgangers, but it came with a caveat. CG essentially screams “Kids
movie!”, and probably served to alienate many of the old school fans that the
box office was reliant on. Hence, if you’ve been hesitant to tag along on this
bodacious journey, don’t be. Dust off your Turtles cereal and official TMNT
shaving kit, look beyond the fact that it is a cartoon, and enjoy yourself. In
case you haven’t heard, animation is not just for kids any more.